Choreographed by award-winning theatre maker Edith Podesta, The Immortal Sole is a piece of dance theatre reimagining Hans Christian Andersen’s fairy tale The Little Mermaid. More
If there’s not dancing at the revolution, I’m not coming is a rich contemporary performance collage of film scripts, pop songs, advertisements, elaborate costumes and dance—all stretched, teased, shattered and reassembled to challenge the treatment of women’s bodies as spectacle in popular culture. More
Displaced has never felt more relevant than in today’s context, where xenophobia, Islamophobia, and cross-cultural intolerance are on the rise. More
Let’s Walk was first presented outside the campus of LASALLE-SIA College of Arts at Goodman Road on 9 December 1999 as part of the exhibition Ambulations at the campus’ Earl Lu Gallery. More
Edith Podesta — The Immortal Sole
Julia Croft — If there’s not dancing at the revolution, I’m not coming
Ground Cover Theatre — Displaced
Amanda Heng — Let's Walk
Taking its title from the Arabic word for "life", Hayat incorporates ritual, texts and movement, and is an intimate and honest invitation to reflect on and celebrate the processes of ageing, living and dying. More
Choreographed by award-winning theatre maker Edith Podesta, The Immortal Sole is a piece of dance theatre reimagining Hans Christian Andersen’s fairy tale The Little Mermaid. More
If there’s not dancing at the revolution, I’m not coming is a rich contemporary performance collage of film scripts, pop songs, advertisements, elaborate costumes and dance—all stretched, teased, shattered and reassembled to challenge the treatment of women’s bodies as spectacle in popular culture. More
Displaced has never felt more relevant than in today’s context, where xenophobia, Islamophobia, and cross-cultural intolerance are on the rise. More
Step Outta Line is a rich collage of texts adapted from prolific playwright Ovidia Yu's selected writings, layered with movement, soundscapes and visuals in response to Amanda Heng's works. More
ATRESBANDES takes us on a wild ride in All In, blending striking visuals, physical theatre and absurdist text, to present this darkly playful exploration of the human condition. More
The Neighbor’s Grief is Greener bitingly probes the discomfort of perfection in domesticity, tackling gender roles and sexuality with plenty of irony, humour and wit in a thought-provoking and critically acclaimed performance. More
Attempts: Singapore is an immersive theatrical experience that draws inspiration from Martin Crimp’s Attempts on Her Life. It takes audience-participants through a non-linear narrative pieced together through the accounts of various witnesses who attempt to describe a missing character named Anne—and in doing so, may incriminate her in the ARC incident. More
Written by Pulitzer Prize for Drama finalist Madeleine George, The Most Massive Woman Wins is a comic and stinging social commentary that introduces us to four intelligent successful women, anxiously awaiting liposuction surgery as they each try to win the battle to be thin. More
Women and Beauty. What is a woman’s relationship with beauty? Join our storytellers as they reveal their insights into what “Walking in Beauty” means to them. Listen to their stories of personal identities shattered, journeys disrupted, and lives altered. More
Forked is a bitingly funny look at the adventures of Jeanette Peh—a highly westernised Singaporean student—who decides to follow her dreams of acting to London, but is labelled as one of the “Asian students”. What is the “native language” that she should perform in? More
Pink Gajah Theatre — Hayat
Edith Podesta — The Immortal Sole
Julia Croft — If there’s not dancing at the revolution, I’m not coming
Ground Cover Theatre — Displaced
Thong Pei Qin & Nanyang Academy of Fine Arts — Step Outta Line
ATRESBANDES — All In
Emanuella Amichai — The Neighbour's Grief is Greener
Rei Poh — Attempts: Singapore
Madeleine George/Mitchell Productions Inc. & Chopt Logic Productions — The Most Massive Woman Wins
Petrina Kow — Walking in Beauty
Jo Tan — Forked
Let’s Walk was first presented outside the campus of LASALLE-SIA College of Arts at Goodman Road on 9 December 1999 as part of the exhibition Ambulations at the campus’ Earl Lu Gallery. More
All In Her Day's Work gathers narratives from working women as a way to open up possible new perspectives of the “ideal beauty” that many of them strive for. More
One Thousand Millennials Crying explores the parallels and differences amongst the various generations—Baby Boomers, Generation X, and Millennials—how their thoughts and ideals have emerged from nation-building narratives and more importantly, the new histories that must be created to reclaim and advance identity. More
Does This Work For You? is a physical theatre production that discusses discrimination within the workplace and the ability to triumph in the face of challenges. More
Kenneth Chia & Mitchell Fang — One Thousand Millennials Crying
The Nervous System — Does This Work For You?
As we move into the digital age of the 21st century, it is perhaps time to re-examine the relationship between critics and artists. How can critics and artists work together to widen dialogue around theatre, and serve both the art and audiences better?
MoreArtsEquator — Theatre Reviews: Last Word or the Start of a Conversation
Fringe Conjunction
Fringe Programme Booklet
"…to participate is not to walk into but to walk with… it becomes symbolic of an ideal type of relation, where moving together, shoulder-to-shoulder, conveys the potential for mutuality, parity or equality."
Walking Transformed: The Dialogues of Art and Walking by Simon Pope
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