Inspired by the painting Erased De Kooning Drawing (1953) in which Robert Rauschenberg erased a drawing of Willem De Kooning and in doing so made it substantially his own, Joji Inc. has created Erase-E(x), a multi-part project in which several choreographers and artists are invited to erase and recreate the preceding one. This dance theatre work begins with an original composition by famed Belgian choreographer Anne Teresa de Keersmaeker and moves through successive choreographic reinventions by ‘erasure’, integrating the work of The Wooster Group, De Keersmaeker and Kurt d’Haeseleer. The result is an evolving piece incorporating three theatrical movements, featuring compositions by Georges Delerue from Jean-Luc Godard's Le Mépris (Contempt, 1963), Umayalpuram Sivaraman and Dolly Parton.
Part 1
The Wooster Group erases A. T. de Keersmaeker's form in stages as each choreographic gesture is infused with the psychological content of Godard's 'modern woman': capricious, royal, mysterious.
Part 2
Anne Teresa de Keersmaeker takes back all the Wooster Group's material, erases any psychological content to create a virtuoso piece danced to the Indian percussion music by Umayalpuram Sivaraman, and Dolly Parton's Jolene.
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